Showing posts with label May Swenson. Show all posts
Showing posts with label May Swenson. Show all posts

789. Flying Home from Utah, May Swenson

Forests are branches of a tree lying down,
its blurred trunk in the north.
Farms are fitted pieces of a floor,

tan and green tiles that get smoother,
smaller, the higher we fly.
Heel-shaped dents of water I know are deep

from here appear opaque, of bluish glass.
Curl after curl, rivers are coarse locks
unraveling southward over the land;

hills, rubbed felt, crumpled bumps
of antlers pricking from young bucks' heads.
Now towns are scratches here and there

on a wide, brown-bristled hide.
Long roads rayed out from the sores of cities
begin to fester and crawl with light—

above them the plane is a passing insect
that eyes down there remark, forget
in the moment it specks the overcast.

It climbs higher. Clouds become ground.
Pillows of snow meet, weld into ice.
Alone on a moonlit stainless rink

glides the ghost of a larva, the shadow
of our plane. Lights go on
in the worm-belly where we sit;

it becomes the world, and seems to cease
to travel—only vibrates, stretched out tense
in the tank of night.

The room of my mind replaces the long, lit room.
I dream I point my eye over a leaf
and fascinate my gaze upon its veins:

A sprawled leaf, many-fingered, its radial
ridges limber, green—but curled,
tattered, pocked, the brown palm

nibbled by insects, nestled in by worms:
One leaf of a tree that's one tree of a forest,
that's the branch of the vein of a leaf

of a tree. Perpetual worlds
within, upon, above the world, the world
a leaf within a wilderness of worlds.

Source: New and Selected Things Taking Place

882. Fable For When There's No Way Out, by May Swenson

Grown too big for his skin,
and it grown hard,

without a sea and atmosphere—
he's drunk it all up—

his strength's inside him now,
but there's no room to stretch.

He pecks at the top
but his beak's too soft;

though instinct or ambition shoves,
he can't get through.

Barely old enough to bleed
and already bruised!

In a case this tough
what's the use

if you break your head
instead of the lid?

Despair tempts him
to just go limp:

Maybe the cell's
already a tomb,

and beginning end
in this round room.

Still, stupidly he pecks
and pecks, as if from under

his own skull—
yet makes no crack...

No crack until
he finally cracks,

and kicks and stomps.
What a thrill

and shock to feel
his little gaff poke

through the floor!
A way he hadn't known or meant.

Rage works if reason won't.
When locked up, bear down.

Source: New and Selected Things Taking Place

907. Mornings Innocent, by May Swenson

I wear your smile upon my lips
arising on mornings innocent
Your laughter overflows my throat
Your skin is a fleece about me
With your princely walk I salute the sun
People say I am handsome

Arising on mornings innocent
birds make the sound of kisses
Leaves flicker light and dark like eyes

I melt beneath the magnet of your gaze
Your husky breath insinuates my ear
Alert and fresh as grass I wake

and rise on mornings innocent
The strands of the wrestler
run golden through my limbs
I cleave the air with insolent ease
With your princely walk I salute the sun
People say I am handsome

Source: New and Selected Things Taking Place

921. Journey, by Tomas Transtromer

On the subway platform.
A crowd among billboards
in a staring dead light.

The train comes and fetches
faces and briefcases.

Darkness next. We sit
like statues in the cars
hauled into the tunnels.
Strain, dreams, strain.

At stations below sea level
the news of darkness is sold.
People moving melancholy,
mum, beneath clockfaces.

The train carries a load
of street clothes and souls.

Looks in all directions,
passing through the mountain.
Nothing changing yet.

But near the surface begins
the hum of freedom's bees.
We emerge from the earth.

The countryside flaps its wings
once, and then subsides
under us, wide and greenish.

Shucks of corn blow in
across the platforms.

End of the line! I ride
beyond the end of the line.

How many aboard? Four,
five, hardly more.

Houses, roads, skies,
fjords, mountains
have opened their windows.

(trans May Swenson)

Source: Selected Poems, 1954-1986

942. Running on the Shore, by May Swenson

The sun is hot, the ocean cool. The waves
throw down their snowy heads. I run
under their hiss and boom, mine their wild
breath. Running the ledge where pipers
prod their awls into sand-crab holes,
my barefoot tracks their little prints cross
on wet slate. Circles of romping water swipe
and drag away our evidence. Running and
gone, running and gone, the casts of our feet.

My twin, my sprinting shadow on yellow shag,
wand of summer over my head, it seems
that we could run forever while the strong
waves crash. But sun takes its belly under.
Flashing above magnetic peaks of the ocean's
purple heave, the gannet climbs,
and turning, turns
to a black sword that drops,
hilt-down, to the deep.

Source: New and Selected Things Taking Place

979. Teleology, by May Swenson

The eyes look front in humans.
Horse or dog could not shoot,

seeing two sides to everything.
Fish, who never shut their eyes,

can swim on their sides, and see
two worlds: blunt dark below;

above, the daggering light.
Round as a burr, the eye

its whole head, the housefly
sees in a whizzing circle.

Human double-barreled eyes,
in their narrow blind trained

forward, hope to shoot and hit
- if they can find it -

the backward-speeding hole
in the Cyclops face of the future.

Source: New and Selected Things Taking Place

997. The Pure Suit of Happiness, by May Swenson

The pure suit of happiness,
not yet invented. How I long
to climb into its legs,

fit into its sleeves, and zip
it up, pull the hood
over my head. It’s got

a face mask, too, and gloves
and boots attached. It’s
made for me. It’s blue. It’s

not too heavy, not too
light. It’s my right.
It has its own weather,

which is youth’s breeze,
equilibrated by the ideal
thermostat of maturity,

and built in, to begin with,
fluoroscopic goggles of
age. I’d see through

everything, yet be happy.
I’d be suited for life. I’d
always look good to myself.

Source: New and Selected Things Taking Place